PHOTOGRAPHER: Peter Van Alphen
DIRECTOR: Gracie Otto @ Ralffilms
D.O.P & EDITOR: Edward Triglone
STYLIST: Emma Kalfus
A look into expression of self through dance for Edition N°9, IDENTITY. Gracie Otto follows French Caribbean ballerina and model, Ines Joseph, and captures what has represented and defined her since she was a child.
Prada polo shirt and shorts
Solid & Striped swimsuit from Pam Pam
Photographer Anna Pogossova takes a look into the history of artificial flavours in her still life series for Edition N°8, FLAVOUR.
We talk to actress, influencer and social media star Sarah Ellen on the business of obsession, staying grounded and why she comes with a filter.
Despite its landmark status once being described as ‘tired, tatty and erratic façades', Phillip Keir, a former theatre director and erstwhile publisher of Rolling Stone in Australia, beautifully reclaimed a section of the Sydney Building, now known as Verity Lane Market.
From generation to generation, South Australia to SoHo, the R.M.Williams brand endures thanks to the integrity of its design and signature code of practical polish... but as the fresh prairie mood of its latest release, ‘On The Road’ proves, nostalgia still leaves wide, open space to explore a spirited kind of newness too. Featuring notable Australian export, Victoria Lee, and in partnership with R.M.Williams FEELS LIKE HOME makes clear the importance of remaining in connection to your roots, but being open to where the road may lead.
A tribute to all things unexpectedly great and coincidently very delicious.
Photographer Michael Brunt considers the mysticism of a future forged in child's play.
Once, summer meant endless feverish days bookended by the briefest winks of velvet night; a humming cicada song over a metronomic percussion of ice cubes against sweating glass; salt waves that washed overhead like a pulse and the echo of heat from every side and from below.
A series that documents tension - the consideration of the physical and the case of the chemical. Suppression and release, friction and flow.
One must not confuse a lack of clothing with a low key approach, summers in the late 80s, early 90s were anything but, we pay homage to a time less posed but certainly more preened.
