OUT OF OFFICE BY DAN ROBERTS

My whole life is spent “Going Places”. Most of my year is spent in the fashion capitals of the world, like New York, London, Milan and Paris. Endless hours on planes, a new view from just another hotel window, or listening to traffic and the hustle and bustle of city life.

INTO MY ARMS

In consideration of their unwavering embrace, we asked a handful of Australian photographers to capture that which is constant, comforting and common in the time of Corona.

MANDY BY PIERRE TOUSSAINT AND SAMANTHA PATRIKOPOULOS

THE AGE OF AUTHENTICITY BY KELLY GEDDES AND MARIELA SUMMERHAYS

There are those who stopped coming by the altar, and instead, took the ability to be one’s most genuine or essential self as their prevailing moral compass. Steph Carta found the altar worth visiting is in the stillness, in the centremost of your soul.

THE ART OF TAKING UP SPACE – MIA DENNIS BY AMELIA DOWD

The role the body plays in fashion in recent years has witnessed a myriad of combative shifts. Publicly, a movement has rippled across the industry, calling for greater representation of marginalised groups. The campaigns and clothes within the fashion world began to acknowledge the folly of the beauty standard that dictated it for decades. Amelia Dowd captures Australian model Mia Dennis, whose rising status is carving out space for curve and queer models alike.

GOING THE DISTANCE BY JACLYN ADAMS

New York City has been romanticised by lyrics, cinema and poetry that re-posts and captions will keep alive for all of social media’s eternity, even if the attributed are perpetually rolling over in their graves with every double tap of Instagram’s beating heart.

SEA. LARA WORTHINGTON BY DARREN MCDONALD

The gravitational push and pull of the moon is such that it sways the tide as it orbits around the earth. For six hours the ocean will creep up the shore, before receding for another six hours, and on and on it goes. Much like the ceaseless lunar allure makes the waves, the siren call of the sea is as constant as it is crisp — a formative blue interlude that reminds us who we are. Darren McDonald shoots Lara Worthington in Sydney, Australia.  

FEELS LIKE HOME – A PROJECT WITH R.M.WILLIAMS BY KIDSOFBILL AND SAM ARMSTRONG

From generation to generation, South Australia to SoHo, the R.M.Williams brand endures thanks to the integrity of its design and signature code of practical polish... but as the fresh prairie mood of its latest release, ‘On The Road’ proves, nostalgia still leaves wide, open space to explore a spirited kind of newness too. Featuring notable Australian export, Victoria Lee, and in partnership with R.M.Williams FEELS LIKE HOME makes clear the importance of remaining in connection to your roots, but being open to where the road may lead.

THIS MUST BE THE PLACE BY SOPHIE DONALDSON & NATHAN HARRADINE-HALE

Despite its landmark status once being described as ‘tired, tatty and erratic façades', Phillip Keir, a former theatre director and erstwhile publisher of Rolling Stone in Australia, beautifully reclaimed a section of the Sydney Building, now known as Verity Lane Market.